{"id":9832,"date":"2011-10-30T17:20:06","date_gmt":"2011-10-30T21:20:06","guid":{"rendered":"http:\/\/www.opticality.com\/blog\/?p=9832"},"modified":"2011-10-30T17:21:17","modified_gmt":"2011-10-30T21:21:17","slug":"war-horse-at-the-vivian-beaumont-theater","status":"publish","type":"post","link":"https:\/\/opticality.com\/blog\/2011\/10\/30\/war-horse-at-the-vivian-beaumont-theater\/","title":{"rendered":"War Horse at the Vivian Beaumont Theater"},"content":{"rendered":"<p>I didn\u2019t particularly have an interest in seeing <a title=\"War Horse\" href=\"http:\/\/www.warhorseonbroadway.com\/\" target=\"_blank\">War Horse<\/a>, even after it won the 2011 Tony Award for Best Play. We ended up seeing it last night (how that came to be, below), with extraordinary seats, in the second row.<\/p>\n<p>I don\u2019t go to the theater often enough for anyone to take my opinions to heart. When we make it out to Broadway, it\u2019s more often for a musical than a play. Even then, often for the <strong>same<\/strong> musical (we\u2019ve seen <a title=\"Wicked the Musical on Broadway\" href=\"http:\/\/www.wickedthemusical.com\/\" target=\"_blank\">Wicked<\/a> 10 times, already heave tickets for our 11th). Clearly, War Horse is a <strong>runaway winner<\/strong>, not just with critics\/awards, but with audiences (tickets are very hard to come by).<\/p>\n<p>With that out of the way, here is my opinion of the show, with no spoilers (not that there\u2019s much to spoil to begin with).<\/p>\n<p>The <strong>good<\/strong>:<\/p>\n<ul>\n<li>The Puppetry is beyond brilliant. I like puppetry (I posted about a <a title=\"Puppet Masters\" href=\"https:\/\/www.opticality.com\/blog\/2008\/11\/29\/puppet-masters\/\" target=\"_blank\">puppet show in Atlanta<\/a> that we loved). This takes it to another level (more likely an order of magnitude).<\/li>\n<li>Basically, it doesn\u2019t take much <em>suspension of disbelief<\/em> to accept that you\u2019re watching real horses on stage. This is a testament to both the puppets (and puppet makers) and to the puppeteers (3+ per horse!). The fact that you can ignore the puppeteers that you see working the horses is mind-boggling (yes, this is a continuation of the first point).<\/li>\n<li>There is very little singing\/music in the show, but what\u2019s there is very well done.<\/li>\n<li>Much of the acting is top notch, including a few exceptional performances (perhaps my favorite was Alyssa Bresnahan as the mother)<\/li>\n<li>The staging is clever, in a very austere setting (more is done with less)<\/li>\n<li>The second half (in particular the first 10-15 minutes) is filled with solid laughs. During the rest of the play, most of the laughs come from marveling at various puppets, not from clever lines.<\/li>\n<li>The theater is beautiful and comfortable. Even though we had amazing seats, I imagine that the <em>worst<\/em> seat is pretty darn good.<\/li>\n<\/ul>\n<p>The <strong>bad<\/strong>:<\/p>\n<ul>\n<li>The story is actually trite. It\u2019s a child\u2019s story, drawn out in a series of ridiculous circumstances. The last scene was cringe-worthy for me (the writing and the acting).<\/li>\n<li>The dialog is rarely engaging, bouncing back-and-forth between attempts at humor and overly serious philosophizing.<\/li>\n<li>A small number of the actors overact so badly it\u2019s almost laughable. Unfortunately, a few are in critical roles. I couldn\u2019t tell whether they were poorly directed (and therefore possibly fine actors) or poorly cast. In the end, it doesn\u2019t matter.<\/li>\n<\/ul>\n<p>You can see more <em>good<\/em> than <em>bad<\/em> bullets above, and that\u2019s ultimately how I felt about the show. I enjoyed it, and on a few levels am glad I went, but that this won the Tony Award for Best Play makes me sad to think about the state of Plays on Broadway. Perhaps there are too few to choose from to begin with.<\/p>\n<p>To me, this should have won for the puppetry, in the same way that movies win <strong>Special Effects<\/strong> Oscars, without even being considered for Best Movie.<\/p>\n<p><a href=\"https:\/\/www.opticality.com\/blog\/wp-content\/uploads\/2011\/10\/PlaybillTheaterReview.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" style=\"background-image: none; padding-left: 0px; padding-right: 0px; display: inline; padding-top: 0px; border: 0px;\" title=\"PlaybillTheaterReview\" src=\"https:\/\/www.opticality.com\/blog\/wp-content\/uploads\/2011\/10\/PlaybillTheaterReview_thumb.jpg\" alt=\"PlaybillTheaterReview\" width=\"240\" height=\"182\" border=\"0\" \/><\/a><\/p>\n<p>The cast received a standing ovation (from me too). Many of them deserved it (especially the puppeteers), so I didn\u2019t feel silly standing. The real point is that for probably most everyone else in the theater, they were standing because they loved the show in every respect.<\/p>\n<p><a href=\"https:\/\/www.opticality.com\/blog\/wp-content\/uploads\/2011\/10\/PlaybillCast.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" style=\"background-image: none; padding-left: 0px; padding-right: 0px; display: inline; padding-top: 0px; border: 0px;\" title=\"PlaybillCast\" src=\"https:\/\/www.opticality.com\/blog\/wp-content\/uploads\/2011\/10\/PlaybillCast_thumb.jpg\" alt=\"PlaybillCast\" width=\"188\" height=\"216\" border=\"0\" \/><\/a><\/p>\n<p>How we got there, which is one of the levels that I thoroughly enjoyed the show.<\/p>\n<p>On July 6th, 2011, we met three young men who are attending the Mason School of Business at the <a title=\"The College of William and Mary\" href=\"http:\/\/www.wm.edu\/\" target=\"_blank\">College of William and Mary<\/a>. They were up on a business trip and we all had dinner together followed by seeing two sets at <a title=\"Rockwood Music Hall\" href=\"http:\/\/www.rockwoodmusichall.com\/\" target=\"_blank\">Rockwood Music Hall<\/a>. The first set (and a paragraph about the dinner) was covered in <a title=\"Kim Churchill at Rockwood Music Hall\" href=\"https:\/\/www.opticality.com\/blog\/2011\/07\/07\/kim-churchill-at-rockwood-music-hall\/\" target=\"_blank\">this post<\/a>, which includes a photo of everyone who attended the dinner at the bottom.<\/p>\n<p>One of those men is someone we\u2019ll call John (because that\u2019s his actual name). <img decoding=\"async\" class=\"wlEmoticon wlEmoticon-winkingsmile\" style=\"border-style: none;\" src=\"https:\/\/www.opticality.com\/blog\/wp-content\/uploads\/2011\/10\/wlEmoticon-winkingsmile22.png\" alt=\"Winking smile\" \/> John and I stayed in touch mostly through Twitter and he exchanged a few emails with Lois over the following months. John is in the Army, having served multiple tours in Iraq. In a recent email exchange, he told us that he was coming to NYC for a weekend with his wife, Alicia.<\/p>\n<p>He mentioned that they were considering seeing War Horse. He has the obvious connection of being a soldier. Alicia is a horsewoman (a serious one at that), so she had independent reasons for wanting to see the show. I had a curiosity that came more from the musical side (I\u2019ll conclude with that) so we suggested that the four of us see it together.<\/p>\n<p>We also arranged to meet for dinner a few blocks away at <a title=\"Rosa Mexicano\" href=\"http:\/\/www.rosamexicano.com\/\" target=\"_blank\">Rosa Mexicano<\/a>. Early yesterday morning we found out that in a couple of days, John will be promoted to <strong>Major<\/strong>. John was surprised that we knew when we congratulated him at dinner. We heard the news from our friend who introduced us back in July. We toasted his accomplishment and shared an incredible meal (well, at least mine was incredible). <img decoding=\"async\" class=\"wlEmoticon wlEmoticon-smile\" style=\"border-style: none;\" src=\"https:\/\/www.opticality.com\/blog\/wp-content\/uploads\/2011\/10\/wlEmoticon-smile24.png\" alt=\"Smile\" \/><\/p>\n<p><a href=\"https:\/\/www.opticality.com\/blog\/wp-content\/uploads\/2011\/10\/AliciaJohn.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" style=\"background-image: none; padding-left: 0px; padding-right: 0px; display: inline; padding-top: 0px; border: 0px;\" title=\"AliciaJohn\" src=\"https:\/\/www.opticality.com\/blog\/wp-content\/uploads\/2011\/10\/AliciaJohn_thumb.jpg\" alt=\"AliciaJohn\" width=\"203\" height=\"216\" border=\"0\" \/><\/a><\/p>\n<p>Both John and Alicia raved about the show afterward. I think that bringing their own perspectives to the performance made them connect more deeply with it than I did. For example, one of the things that John talked about the second the show was over was how well they captured the feeling that individual soldiers on each side experience nearly identical feelings.<\/p>\n<p>Alicia being a horsewoman, explained how every nuance of a real horse\u2019s movements was captured to perfection by the puppeteers. I\u2019ve been around thousands of horses in my life (you don\u2019t want to know how much time I\u2019ve spent at the racetrack, both thoroughbred and harness), so I wholeheartedly agree.<\/p>\n<p>When the show was over, we tried to catch a cab together. Given the freak October snowstorm in NYC that day, it wasn\u2019t going to happen. We parted ways and Lois and I walked a number of blocks over to Central Park West. We ended up sharing a cab with a couple who was in town from San Diego for the weekend. They too had just seen War Horse (and loved it!). We dropped them at their hotel and continued to our apartment.<\/p>\n<p>Circling back to one of my personal curiosities about War Horse. On May 23rd, I saw two sets at Rockwood Music Hall Stage 2.<\/p>\n<p><a title=\"Mighty Kate (Katy Pfaffl)\" href=\"http:\/\/www.mightykate.com\/\" target=\"_blank\">Mighty Kate<\/a> (Katy Pfaffl) was the first one (covered second in <a title=\"Big Apple Singers and Might Kate at Rockwood Music Hall Stage 2\" href=\"https:\/\/www.opticality.com\/blog\/2011\/05\/24\/big-apple-singers-and-mighty-kate-at-rockwood-music-hall-stage-2\/\" target=\"_blank\">this post<\/a>). While she was on stage, War Horse was winning the Drama Desk Award for Outstanding Play! She had a special guest star join her to sing a duet, <a title=\"Matt Doyle\" href=\"http:\/\/mattdoyleweb.blogspot.com\/\" target=\"_blank\">Matt Doyle<\/a>, who is also in the show.<\/p>\n<p>So, I had a personal interest in seeing each of them.<\/p>\n<p>Katy is listed in the Playbill as <strong>Kate Pfaffl<\/strong>. She is the primary singing voice throughout the show, in a visible\/background\/narrator way. In other words, she\u2019s not part of the scenes, but she\u2019s often somewhere on stage, singing while the play is going on.<\/p>\n<p>She has a gorgeous voice. She sings in a Scottish accent throughout (an interesting surprise for me). It\u2019s hard to concentrate on the lyrics, because quite often, there is action happening on stage, even dialog (which is independent of not being used to hearing a Scottish accent in song).<\/p>\n<p>In addition to singing, Kate also plays the violin (one of her multi-instrumental talents) a number of times.<\/p>\n<p>There is a male singer, Liam Robinson, who is on stage a bit less than Kate. Most of the time that he\u2019s on, they are singing together. They sounded fantastic. He played accordion and harmonica.<\/p>\n<p>What of Matt Doyle? He has CDs out and clearly has a wonderful voice (from the show we saw in May). To my surprise, he doesn\u2019t sing a lick. He\u2019s one of the lead actors in War Horse, playing Billy Narracott. He was one of the strongest performers.<\/p>\n<p>So, both Kate and Matt impressed (if I added <em>mightily<\/em>, which was my instinct, we would have come full circle back to <strong>Mighty Kate<\/strong>).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I didn\u2019t particularly have an interest in seeing War Horse, even after it won the 2011 Tony Award for Best Play. We ended up seeing it last night (how that came to be, below), with extraordinary seats, in the second row. I don\u2019t go to the theater often enough for anyone to take my opinions [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":""},"categories":[19,16,15,17,2],"tags":[1369,917,921,1367,1155,1154],"class_list":["post-9832","post","type-post","status-publish","format-standard","hentry","category-broadway","category-dining","category-food","category-music","category-2","tag-broadway","tag-katy-pfaffl","tag-matt-doyle","tag-music","tag-rosa-mexicana","tag-war-horse"],"_links":{"self":[{"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/posts\/9832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/comments?post=9832"}],"version-history":[{"count":2,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/posts\/9832\/revisions"}],"predecessor-version":[{"id":9834,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/posts\/9832\/revisions\/9834"}],"wp:attachment":[{"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/media?parent=9832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/categories?post=9832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/tags?post=9832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}