{"id":9727,"date":"2011-10-26T10:20:03","date_gmt":"2011-10-26T14:20:03","guid":{"rendered":"http:\/\/www.opticality.com\/blog\/?p=9727"},"modified":"2011-10-26T10:24:05","modified_gmt":"2011-10-26T14:24:05","slug":"sierra-noble-at-the-bitter-end","status":"publish","type":"post","link":"https:\/\/opticality.com\/blog\/2011\/10\/26\/sierra-noble-at-the-bitter-end\/","title":{"rendered":"Sierra Noble at The Bitter End"},"content":{"rendered":"

What do you do when one of your favorite performers has a show at one of your least favorite venues? You go, without hesitation. \"Smile\"<\/p>\n

Sierra Noble<\/a> easily qualifies as one of our favorites. The Bitter End<\/a> easily qualifies as one of the least enjoyable venues we frequent semi-regularly.<\/p>\n

Both turned out exactly as expected. Sierra (and band) put on a great show. The Bitter End didn\u2019t disappoint in its disappointment. Let\u2019s start with the good stuff.<\/p>\n

Sierra Noble opened with a long traditional fiddle tune (a collection of styles that are popular in her hometown fiddle community, Winnipeg). This was an excellent choice as there was still a bunch of milling around from the previous show\u2019s audience.<\/p>\n

\"SierraNobleFiddle\"<\/a><\/p>\n

When things settled down, Sierra changed to singer\/songwriter mode and rattled off one winner after another, starting with Possibility. She switched back-and-forth between the fiddle and an acoustic guitar.<\/p>\n

Her voice is gorgeous. Her lyrics are captivating. The music (melodies) enchanting. What more could you ask for? Nothing, that\u2019s right.<\/p>\n

\"SierraNobleSinging\"<\/a><\/p>\n

But wait, there\u2019s more. All of that would be more than enough if Sierra were performing solo (which she easily could). Given her talent, it\u2019s easy for her to attract equally talented people to play with her on a regular basis. In NYC, she has just such a regular collection of musicians she can call her band<\/em>.<\/p>\n

Left-to-right on stage:<\/p>\n

Greg Mayo<\/a> on guitar (electric and acoustic) and vocals. I\u2019m not sure whether Greg\u2019s acoustic guitar is rebelling against him personally, or if it prefers to enjoy Sierra\u2019s sets from the back of the stage without having to work at the same time. At The Living Room<\/a> show (the last time we saw Sierra), Greg popped a string the minute he picked up the guitar (he had popped one on the same guitar during sound check!). Last night, the strap holder flew out. In both cases, Greg switched to one of Sierra\u2019s two acoustic guitars.<\/p>\n

\"GregMayoAcousticGuitar\"<\/a><\/p>\n

No matter, he was wonderful on Sierra\u2019s guitar and played significantly more on his own electric, which he wields masterfully (read the dozens of posts I\u2019ve written that mention Greg\u2019s skills).<\/p>\n

\"GregMayoElectricGuitar\"<\/a><\/p>\n

Greg also sings a lot of harmony with Sierra, beautifully. All around A+.<\/p>\n

\"GregMayoSierraNobleHarmony\"<\/a><\/p>\n

Chris Anderson<\/a> on upright bass and vocals. Chris was excellent on the bass, plucking and bowing. He also sang quite a bit, including providing the primary harmony on the gorgeous Human After All.<\/p>\n

\"ChrisAnderson\"<\/a><\/p>\n

Rebecca Haviland<\/a> was a special guest vocalist on at least three songs. One one song, Rebecca sang harmony throughout. On the other two, she sang a bit of harmony during the verses, but completed fantastic four-part harmony with Sierra, Greg and Chris.<\/p>\n

\"RebeccaHaviland\"<\/a>\"SierraNobleRebeccaHavilandHarmony\"<\/a><\/p>\n

Another Sierra Noble show in the books. Already looking forward to the next one.<\/p>\n

After the show, I introduced myself to Carrie Welling of The Vanity Belles<\/a>. I\u2019m a proud contributor to their current Kickstarter campaign<\/a>. Here\u2019s what she tweeted during the show:<\/p>\n

thevanitybelles<\/a> The Vanity Belles<\/p>\n

@SierraNoble<\/a> @gregmayomusic<\/a> @rebeccahaviland<\/a> @CAndersonbass<\/a> makin beautiful music here @BitterEndNYC<\/a> tonight! Lovin’ it!<\/p><\/blockquote>\n

I couldn\u2019t have said it better. \"Smile\" Lois bought another copy of Sierra\u2019s EP, Possibilities, to give to our goddaughter.<\/p>\n

Here\u2019s the set list. Sierra didn\u2019t get to play the last song, as The Bitter End was running a bit behind due to the show before Sierra\u2019s.<\/p>\n

\"SetList\"<\/a><\/p>\n

That\u2019s a good segue into three of my complaints about The Bitter End (I don\u2019t want to turn this into a rant).<\/p>\n

There is a cover charge (fine), but there is also a two drink minimum<\/strong>, per person, per set. That\u2019s nuts<\/strong>. I\u2019m not complaining about the money. In fact, I would have thrown more into a Rockwood tip jar for Sierra than the cover charge. If I sat through as many consecutive sets at The Bitter End as I do at Rockwood, I would worry that the Medical Examiner would declare my death an internal drowning.<\/p>\n

The Bitter End is very long and narrow. The stage is smack in the middle, facing the narrow part. Very few people get a direct view of the stage. As in most venues where that\u2019s the case, people on either side of the stage delude themselves into thinking no one can hear them, even though they are just as close to the stage.<\/p>\n

The Bitter End didn\u2019t list the start time of Sierra\u2019s set. She tweeted 9pm. A friend warned us that she was unlikely to go on before 10pm. They were correct. Sierra started playing at 10:12pm. That\u2019s a dilemma. We didn\u2019t want to show up at 10 to find out she was on at 9. We showed up at 8:45 and endured 75 minutes that I would gladly have put to use differently.<\/p>\n

I don\u2019t blame Sierra for picking the more conservative start time. I blame The Bitter End for not posting any<\/strong> start time for her, even if they ended up slipping it dramatically.<\/p>\n","protected":false},"excerpt":{"rendered":"

What do you do when one of your favorite performers has a show at one of your least favorite venues? You go, without hesitation. Sierra Noble easily qualifies as one of our favorites. The Bitter End easily qualifies as one of the least enjoyable venues we frequent semi-regularly. Both turned out exactly as expected. Sierra […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":""},"categories":[17,2],"tags":[602,715,1367,818,827,804],"class_list":["post-9727","post","type-post","status-publish","format-standard","hentry","category-music","category-2","tag-chris-anderson","tag-greg-mayo","tag-music","tag-rebecca-haviland","tag-sierra-noble","tag-the-bitter-end"],"_links":{"self":[{"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/posts\/9727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/comments?post=9727"}],"version-history":[{"count":2,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/posts\/9727\/revisions"}],"predecessor-version":[{"id":9729,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/posts\/9727\/revisions\/9729"}],"wp:attachment":[{"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/media?parent=9727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/categories?post=9727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/tags?post=9727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}