{"id":7528,"date":"2011-07-03T16:56:21","date_gmt":"2011-07-03T20:56:21","guid":{"rendered":"http:\/\/www.opticality.com\/blog\/?p=7528"},"modified":"2011-07-06T11:06:08","modified_gmt":"2011-07-06T15:06:08","slug":"sierra-noble-at-the-living-room","status":"publish","type":"post","link":"https:\/\/opticality.com\/blog\/2011\/07\/03\/sierra-noble-at-the-living-room\/","title":{"rendered":"Sierra Noble at The Living Room"},"content":{"rendered":"

In what is obviously becoming a regular occurrence, we discover new musicians in the following cycle: 1) they perform side-person duties with someone we regularly see, 2) we see some mini-set where they headline a portion, 3) we see them perform a full set of their own, falling madly in love with them directly.<\/p>\n

Sierra Noble<\/a> fits that cycle perfectly, but amazingly, I was indifferent after that first side-person<\/em> performance (nothing negative). Then we saw her at Backscratch 13<\/a>. Here\u2019s what I wrote about Sierra that night:<\/p>\n

Sierra Noble<\/a> on vocals, acoustic guitar and violin. We\u2019ve seen Sierra Noble backing up both Rachel Platten<\/a> and Martin Rivas<\/a> (back-to-back sets on the same night). I am aware of how much her fellow musicians respect and love her, but that night, while she did a fine job, I didn\u2019t see the light. Last night, headlining the three-song set, I got it. She has an incredible voice. She writes beautiful songs.<\/p><\/blockquote>\n

Ha! I thought<\/em> I got it, seriously, I really thought so. Last night, she hit me over the head with a sledgehammer<\/strong> (in the nicest way that one human being can do that to another). Here\u2019s the point: at Backscratch, I realized she wrote beautiful songs. Last night (and now, listening to her CDs) I realize that she\u2019s a phenomenal songwriter, consistently. In other words, she doesn\u2019t just<\/em> write beautiful songs, they pour out of her!<\/p>\n

\"SierraNobleAcousticGuitar\"<\/a><\/p>\n

At the same time, she has a great voice and style. I don\u2019t feel that it\u2019s necessary to compare any artist to another, but on the other hand, it\u2019s sometimes helpful to get people interested in listening to someone new if they have a frame of reference. For me, Sierra\u2019s voice evokes a mixture of Alison Krauss<\/a> and Ruth Moody<\/a> (of The Wailin\u2019 Jennys<\/a>).<\/p>\n

The fact that Sierra and Alison both play fiddle has nothing<\/strong> to do with my comparison, it\u2019s more about their voices. The fact that Sierra and Ruth both hail from Winnipeg may have more to do with the water they drink up there (the three days a year that it isn\u2019t frozen<\/strong>). \"Winking<\/p>\n

Sierra played acoustic guitar and the violin\/fiddle on most songs and sang without instruments, backed by a full band on the remaining songs.<\/p>\n

\"SierraNobleViolin\"<\/a><\/p>\n

Sierra was backed by the same band that played with Matt Simons<\/a> the set before<\/a> and with Chris Ayer<\/a> the next set. I\u2019ll just mention them briefly here, then continue with a few more of the highlights of Sierra\u2019s set.<\/p>\n

Left-to-right on the stage:<\/p>\n

Chris Anderson<\/a> on upright bass and light vocals. On the two earlier sets Chris played electric bass. He played the upright exclusively during this set. He\u2019s masterful on both.<\/p>\n

\"ChrisAndersonUprightBass\"<\/a>\"ChrisAndersonSierraNoble\"<\/a><\/p>\n

Ryan Vaughn<\/a> on drums. Excellent (again).<\/p>\n

\"RyanVaughn\"<\/a><\/p>\n

Greg Mayo<\/a> on acoustic and electric guitar and vocals. In my last post, I inadvertently said that Greg played both electric and acoustic (already corrected). He didn\u2019t play acoustic during Matt\u2019s set, but did play both on Sierra\u2019s. On the acoustic he did some heavy finger picking (always a treat to see Greg perform varied styles!).<\/p>\n

\"GregMayoElectricGuitar\"<\/a>\"GregMayoAcousticGuitar\"<\/a><\/p>\n

Sierra also highlighted Greg on the song Bring an Angel, which they co-wrote.<\/p>\n

\"ChrisAndersonSierraNobleGregMayo\"<\/a><\/p>\n

Sierra brought up Chris Ayer for two songs. The first was her amazing song Human After All, co-written with Michael Logen<\/a>. We\u2019ve seen Michael perform it twice (both times solo) and now Sierra perform it twice (both times with a male harmonizer). It\u2019s a great song performed both ways, but give me a choice, and I\u2019ll take the harmony every time. Make it Sierra and Chris and my heart will skip a few beats as well. Martin Rivas did an amazing job when he sang it with Sierra at Backscratch 13!<\/p>\n

\"SierraNobleChrisAyerHumanAfterAll\"<\/a><\/p>\n

The second song that Chris sang with Sierra was a song they co-wrote (recently) called Keep it With You. Wonderful, both the song and their performance. Chris added the acoustic guitar during this number.<\/p>\n

\"SierraNobleChrisAyerGuitar\"<\/a><\/p>\n

In keeping with the title Human After All, Sierra honored a friend and mentor who passed away three years ago today, July 3rd, 2008. She introduced the song saying that in most shows, she plays an upbeat fiddle medley. Instead, in memory of her friend, she would play a song he wrote for her.<\/p>\n

\"SierraNobleSpeaking\"<\/a><\/p>\n

Oliver Schroer<\/a> sounds like an extraordinary person (and a great musician as well). Sierra performed the instrumental, True Hearts Waltz. I\u2019m impressed that she got through it. Clearly, this was an emotional undertaking for her. Our connection with Sierra grew immeasurably at that moment.<\/p>\n

I started the above by relating it to Human After All. That\u2019s what we are folks, whether we like it or not. All too often, we forget loved ones when they\u2019re gone. Perhaps worse (though only on a few levels) is when we don\u2019t have gratitude and love in our heart for people that help and inspire us along the way (noone makes their way through life on their own).<\/p>\n

Witnessing Sierra Noble honor Oliver, and much more importantly, do her part in keeping his legacy alive by sharing with it people who didn\u2019t have the privilege of knowing him, made both Lois and me very happy. That Sierra can feel and articulate this kind of human understanding at the tender age of 21 (did I fail to mention her age before?!?!?) is simply extraordinary.<\/p>\n

Whew, back to the set. Here is the set list, though I think she might have played an additional song or two after the ones listed here:<\/p>\n

\"SetList\"<\/a><\/p>\n

Sierra announced that she has an EP available for purchase at iTunes and that she\u2019s working on a new full-length CD. Given a choice, I will always purchase from Amazon.com over iTunes. Thankfully, Sierra\u2019s EP, Possibilities, is available on Amazon<\/a>. Not only did I buy it (it\u2019s incredible<\/strong>), but I also discovered that she has a full-length CD from 2005 (she was 15!). I bought that too, Spirit of the Strings<\/a>. It too is gorgeous.<\/p>\n

That wasn\u2019t enough. When I visited Sierra\u2019s Bandcamp Page<\/a>, I saw that she had a smaller version of the Possibilities EP available for full streaming (and purchase). While it only has four songs vs Amazon\u2019s six, there is a bonus track<\/strong> on Bandcamp that isn\u2019t on the Amazon version. It\u2019s a song she played last night: Coming Home to Say Goodbye (second song on the set list). I love the song, so I had to buy this one track separately as well.<\/p>\n

OK, now you all go out and do what I did. Let\u2019s make sure this youngster continues to make music for a very long time!<\/p>\n","protected":false},"excerpt":{"rendered":"

In what is obviously becoming a regular occurrence, we discover new musicians in the following cycle: 1) they perform side-person duties with someone we regularly see, 2) we see some mini-set where they headline a portion, 3) we see them perform a full set of their own, falling madly in love with them directly. Sierra […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":""},"categories":[17,2],"tags":[602,648,715,1367,1004,829,827,361],"class_list":["post-7528","post","type-post","status-publish","format-standard","hentry","category-music","category-2","tag-chris-anderson","tag-chris-ayer","tag-greg-mayo","tag-music","tag-oliver-schroer","tag-ryan-vaughn","tag-sierra-noble","tag-the-living-room"],"_links":{"self":[{"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/posts\/7528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/comments?post=7528"}],"version-history":[{"count":8,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/posts\/7528\/revisions"}],"predecessor-version":[{"id":7531,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/posts\/7528\/revisions\/7531"}],"wp:attachment":[{"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/media?parent=7528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/categories?post=7528"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/opticality.com\/blog\/wp-json\/wp\/v2\/tags?post=7528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}