Last night was our 10th show in the CMA Songwriters Series at Joe’s Pub. It won’t be our last. 🙂
Last night’s show was awesome, among the best we’ve seen.
There were only four performers last night (which has happened before, typically there are five), but there were five people on stage (I’ll explain shortly).
Doing my usual left-to-right recap:
Keith Follese sang, played the electric keyboards and acoustic guitar. Keith is a fantastic songwriter, penning a large number of hits, getting big applause every time he started one of his songs. He also debuted a song that hasn’t been picked up yet, and from the audience response, someone should, and soon!
Keith is wonderful on the keyboards, and good on the guitar. I don’t know if he ever had a good voice, but if he did, he lost it a while ago. He sings on key, so there was nothing wrong with it, but he’s more in the mold of the songwriters where you don’t wonder why he isn’t performing his own material.
For one number, he was joined on stage by his wife, Adrienne Follese (a songwriter herself). It was her birthday. They sang a duet. She has a lovely voice, and a sweet personality. No disrespect to Keith, but it would have been interesting to have Adrienne sing his/their songs with him accompanying her.
Bob DiPiero sang and played the guitar. He’s the host, and only regular performer at each show. He was on last night (as he is on most nights), doing a great job with his songs, and with the crowd banter as well.
Billy Currington sang and played acoustic guitar. This is one of those rare treats, when a real star performer (who happens to also be a top-notch songwriter!) attends the show. Billy has the current #1 Country hit, People are Crazy (it’s a really fun video as well).
Billy has a great voice, and plays rhythm guitar very well. I mentioned above that I would explain that there were five people on stage. Tucked in the right corner of the stage, behind the four performers, was Doug Collins (I’m pretty sure I heard the name correctly, but I can’t find any links to him!), who was there to support Billy Currington.
This is the same type of setup that occurred when Craig Morgan was at the CMA show last October, and he brought Mike Rogers along with him. Doug played fantastic leads all night (invisible to us, obscured by Billy), and sang harmonies with Billy on most songs as well.
Lois snapped this one photo of Doug while he was tuning up, which was the only time we could see him. It’s dark, and I adjusted it, and it’s still bad, but this is all I can offer up now. Sorry:
They were very polished together (as were Craig and Mike), which in addition to their generally better performing skills, raises the ante a bit more for the lonely singer/songwriter who performs at these shows. The only difference was that Mike sat right alongside Craig Morgan for that. I think it would have been a nice touch to have Doug sit next to Billy, but it wasn’t my call. 😉
Jason Sellers sang and played acoustic guitar. He has an excellent voice, writes great songs, plays the guitar well, and gives a good performance all around. He’s also a story-teller by nature, and was extremely comfortable with the crowd. For those of you who are Country trivia types, his ex-wife is Lee Ann Womack!
They went around a bunch of times, each singing a song and telling a story (that’s the usual format). When they left the stage, it wasn’t clear whether they would come back. While there have been encores at most shows, sometimes, only Bob and perhaps on other returns. Last night, all five came back on the stage and performed another round, much to the delight of the entire crowd (the place was bursting at the seems).
They were on stage for almost exactly two hours. Two wonderful hours. We are currently scheduled to be out of town the next time they are set to show up at Joe’s Pub, but we’re seriously considering trying to change some things around to be able to continue our attendance at this extremely satisfying series.
Toward the end of the show, Keith Follese shared some excellent personal news with us. I already mentioned that his wife was there, and that it was her birthday. After she left the stage, she ended up sitting two tables to our left. At her table was their daughter, whom Keith introduced as a basketball player.
But, DiPiero prompted him to mention that a third generation of Follese’s were now officially in the music business (Keith is second generation). Keith then told us that both of his boys (ages 22 and 17) are in a band with other famous kids.
The band is Hot Chelle Rae. Keith’s kids are: Ryan Keith Follese and Jamie Follese. The other band members are: Nash Overstreet (son of Paul Overstreet, a longtime favorite of ours) and Ian Keaggy (son of the great Phil Keaggy, whom I was late discovering, but now count as a favorite as well!). They were in NJ opening for David Cook!
Was it all great? The show was, with no disappointments whatsoever. We had incredible seats (they gave away our normal table to someone who was a guest of one of the performers, even though we confirmed it last week). But, there was a row of people immediately behind us that were close to the rudest, loudest bunch of people we’ve ever had the displeasure of sitting next to.
When that happens, and I’ve written about it before, it’s almost always someone who isn’t a fan to begin with. They’re either on a date, and happened to randomly select a show to impress their date, or they’re along for the ride with friends, and don’t care to show respect to anyone around them, the performers included.
Last night was different, a first for us. The people behind us were obviously big Country music fans. For the few minutes that they stopped talking, they knew every word to every song from all of the performers. I was beyond impressed with their breadth. But, that didn’t stop them from talking nearly non-stop, at the top of their lungs.
The microphones on stage were set pretty loud last night (good quality, but high volume). Even so, when these people were screaming (without the aid of a mic), it was louder than the singer at that moment. They were sitting 10 feet from the stage, so there’s no way the performers weren’t aware of the distraction, and no amount of shushing from us or the people around them could slow them down.
I don’t get what the attraction is for paying to see someone you obviously admire enough to memorize their songs, and then interrupt them with your personal chatter, at top volume. I hope I never understand that, and I hope it annoys me every time it happens, because I don’t want to be callous to the effect it must have on the performers…
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